Dr Christina Kapadocha

-
Email
ckapad@essex.ac.uk -
Location
EAST15 LOUGHTON HH3.2 HATFIELDS, Loughton Campus
-
Academic support hours
EA405-7-FY Movement EA602 Character & Scene Work EA606-G-SU MA Practical Project EA613-G-SU MFA Practical Project
Profile
Biography
I am a London-based theatre and somatic practitioner-researcher and founder of Somatic Acting Process庐. My earliest artistic and professional development included studies and qualifications in classical piano and singing (Advanced Certificate-Distinction), music theatre (LCM, Level 5-Distinction), dance and literature (BA-Dissertation Distinction). My ongoing professional experience in theatre and acting practices started formally in 2005 when I began my studies at the Greek National Theatre (GNT) Drama School, which operates in tandem with the National Theatre of Greece. As a Greek-born actress, I shaped the ground of my expertise in acting as a first-class GNT Drama School graduate (Diploma in Acting). While in Greece, I performed, among others, in productions of the National Theatre of Greece and the Athens Festival. In 2010 I was awarded a full-time scholarship from the Greek State Scholarship Foundation (IKY) to advance my acting studies in the UK. I moved to London and completed my postgraduate degree in acting at East 15 Acting School (MA Acting International-Distinction). During my studies at East 15, I also got the opportunity for a residency in Bali (ISI Denpasar) and Moscow (GITIS) where I studied and performed. After my MA, I started developing an expertise in the interrelation between modern somatic movement and theatre practices through a Practice-as-Research PhD at Royal Central School of Speech and Drama (RCSSD) and my professional development as somatic movement educator (RSME, Diploma IBMT/BMC庐). For these studies I was additionally awarded an Elsie Fogerty Research Degree Studentship by RCSSD. As part of my PhD and the critical investigation of actor-training pedagogies, I shaped a new actor-training approach introduced as Somatic Acting Process. I started teaching my practice and related subjects in major London-based drama schools (such as RCSSD, East 15, Mountview, Rose Bruford) and independent contexts. Since April 2018 I am a full-time Lecturer in Movement for Acting & Research at East 15 as a member of both the Movement and Research teams. As a practitioner-researcher, I focus on the investigation of embodiment processes through somatically inspired practices into theatre-performing environments and beyond. I particularly introduce new praxical (practical-theoretical) discussions on the somatic in theatre-performance and voice studies, including the edited collection Somatic Voices in Performance Research and Beyond (Routledge, 2021), several articles for international journals, blog posts and practice-research videos. For my artistic research activities, I have been awarded 2020 Outstanding Early Career Researcher in the Faculty of Humanities at the 糖心Vlog and Outstanding Research Supervisor of the Year 2023-2024. My theatre experience in the UK includes performances at the Cockpit Theatre and Roundhouse, as an independent artist and as a member of Andreas Skourtis-Performing Architectures company. I have, among others, directed and/or facilitated performances (as acting coach, movement director, embodiment/intimacy/stage fight facilitator) at the Park Theatre, Cockpit Theatre, Arcola Theatre, Theatre Royal Stratford East, Hoxton Hall, Embassy Theatre (RCSSD) and Corbett Theatre (East 15). My latest artistic-research focus is the investigation of a theatrical form that re-evaluates the dynamics between performers and non-performers/active participants through embodied dramaturgies and contemporary approaches to catharsis. I identify it as Somatic Theatre.
Qualifications
-
PhD Royal Central School of Speech and Drama,
-
MA in Acting East 15 Acting School, 糖心Vlog,
-
BA in Acting Greek National Theatre (GNT) Drama School,
-
BA in Greek Literature University of Patras,
Appointments
糖心Vlog
-
Lecturer in Theatre and Movement, East 15 Acting School (9/4/2018 - present)
-
Movement Tutor, East 15 Acting School (7/10/2014 - 9/4/2018)
Other academic
-
Visiting Lecturer, Rose Bruford College (6/3/2017 - 9/4/2018)
-
MA Tutor, Mountview Academy of Theatre Arts (1/2/2016 - 9/4/2018)
-
Visiting Lecturer, Royal Central School of Speech and Drama (3/6/2013 - 9/4/2018)
Teaching and supervision
Previous supervision

Degree subject: Drama and Performance (Practice as Research)
Degree type: Doctor of Philosophy
Awarded date: 8/1/2025
Publications
Journal articles (8)
Kapadocha, C., Are We Still in Touch?: Towards Inter-embodied Dramaturgies in Participatory Performance. Performance Philosophy
Kapadocha, C., (2024). . VOZ e CENA. 5 (1), 34-51
Kapadocha, C., (2023). . Theatre, Dance and Performance Training. 14 (2), 201-215
Kapadocha, C., (2021). . Journal of Arts and Communities. 12 (1-2), 7-21
Kapadocha, C., (2021). . Sken猫: Journal of Theatre and Drama Studies. 12
Kapadocha, C., (2018). . Theatre, Dance and Performance Training. 9 (2), 203-216
Kapadocha, C., (2017). . Journal of Dance and Somatic Practices. 9 (2), 213-221
Kapadocha, C., (2016). Book review of Christina Gutekunst and John Gillett鈥檚 Voice into Acting: Integrating Voice and the Stanislavski Approach (2014), The Journal of Interdisciplinary Voice Studies, Vol. 1, No. 1: 99-101.. The Journal of Interdisciplinary Voice Studies. 1 (1)
Books (1)
Kapadocha, C., (2020). . Routledge. 9781138360600
Book chapters (4)
Kapadocha, C., (2020). . In: Somatic Voices in Performance Research and Beyond. Editors: Kapadocha, C., . Routledge. 155- 168. 9781138360600
Bardi, P. and Kapadocha, C., (2020). . In: Somatic Voices in Performance Research and Beyond. Editors: Kapadocha, C., . Routledge. 51- 60. 9781138360600
Kapadocha, C., (2020). . In: Somatic Voices in Performance Research and Beyond. Editors: Kapadocha, C., . Routledge. 1- 11. 9781138360600
Kapadocha, C., (2020). . In: Somatic Voices in Performance Research and Beyond. Editors: Kapadocha, C., . Routledge. 229- 242. 9781138360600
Conferences (30)
Kapadocha, C., Intersections 2014: The Colloquium of Performance Research Conference
Kapadocha, C., (2024).
Kapadocha, C., (2024).
Kapadocha, C., Katsilerou, Z. and Bonnici, E., (2022). Movement and Voice Network Launch
Kapadocha, C., (2022).
Kapadocha, C., (2022).
Kapadocha, C., (2021).
Kapadocha, C., (2021).
Kapadocha, C., (2021).
Kapadocha, C., (2021).
Kapadocha, C., (2021).
Kapadocha, C., (2021).
Kapadocha, C., (2021).
Attille, J. and Kapadocha, C., (2021).
Kapadocha, C., (2020).
Kapadocha, C., (2020).
Kapadocha, C., (2019).
Kapadocha, C., (2019).
Kapadocha, C., (2019).
Kapadocha, C., (2019).
Kapadocha, C., (2018).
Kapadocha, C., (2018). Text and Somatic Logos
Kapadocha, C., (2018).
Kapadocha, C., (2016).
Kapadocha, C., (2014).
Kapadocha, C., (2014).
Kapadocha, C., (2014).
Kapadocha, C., (2014).
Kapadocha, C., (2014).
Kapadocha, C., (2014).
Media (3)
Kapadocha, C., . Video
Kapadocha, C., . Video
Kapadocha, C., . Video
Thesis dissertation (1)
Kapadocha, C., (2016).
Other (4)
Kapadocha, C., (2021).,Theatre, Dance and Performance Training Blog
Kapadocha, C., (2020).,Theatre, Dance and Performance Training Blog
Kapadocha, C., (2019).,Theatre, Dance and Performance Training Blog
Kapadocha, C., (2016).,Theatre, Dance and Performance Training Blog
Grants and funding
2023
From haptic deprivation to haptic possibilities: are we still in touch?
UOE Participatory Research Fund
2022
Impact Global Work
糖心Vlog (ESRC IAA)
Contact
Academic support hours:
EA405-7-FY Movement EA602 Character & Scene Work EA606-G-SU MA Practical Project EA613-G-SU MFA Practical Project